This will be 773. premiere play in 75 years of the Zenica theater house, whose director Miroljub Mijatović, at today’s press conference, pointed out that this theater season has almost completely devoted to women and the themes of women’s rights.
The idea for this show, he said, was directed by Pejanovic, but completely fit into everything in the Zenica Theater wanted to work this year and have a show in which women predominate.
– We are all, through our schooling, learned that the show should be a collective act. Well, now, how of us who understands and how the subject of us ask us to understand what the collective act in the theater has interpreted everyone in its own way. However, I must say that I have only last night, watching the general rehearsal, became aware of a level and complete definition that the theater, ie the theater play the collective act. I am glad that in addition to actresses – for them we know that these are great things for BNP Zenica, I have to boast of our presentation, which was proud of this show, in which they showed a large, strong and uniform acting ensemble.
The director of the Presame Crnogorac Damjan Pejanovic, pointed out that the presentation from the 1930s last century, but he pointed out that he did not strive to keep the text in that epoch or reconstruct the time context in which Lorfa placed him.
– We tried to, through the optics of the present moment, imagine on these issues that set Lorf. Like any big piece and a large writer, people don’t change, but to carry the same problems as some burden and we fail to skip them. So the space is moved towards, to some, the widest met-space – we wanted to avoid any epoch and to mark the timelessness of these women’s suffering and repression of women, which exists as well as during Franc’s Spanish since 1936. years – said Pejanovic.
The main role in the play is played by the Fake Salihbegović-Avdagić, which underlined how all the themes imprinted in Lika Bernarda Albe.
– So, repression, skillful system towards women, simply, all that embodied in the character of Bernard Albe, as a cold, rigid mother, simply, taking care of his daughters. But not from taking care of their daughters, she simply takes on the way she behaves and who she has felt herself in his child on his skin, through upbringing and upbringing. It is, if not, and the biggest victim of that oppression. Maybe more than his daughters – Salihbegović-Avdagić pointed out.
She also underlined that for her personal process at work in the play was very painful and that she took a lot of motivation and strength to investigate the performance, because she wanted to do something like this kind of today’s world experienced.
In addition to the Faketa Salihbegović-Avdagić, the acting ensemble of this play is still: Uranela Agić, Snezana Vidović, Lana Delic, Adna Kaknjo, Tamara Milicevic-Stilić, Lamija Salihović and Sabina Kulenović.
(Vijesti.ba / Fena)
